A visual system for the IFRC World Disasters Report 2026, exploring harmful information, trust and humanitarian action. The project connects multilingual publication design, data visualisation, an interactive playbook and a launch installation, supported by a production workflow built for print and digital reuse.
Flyers are not just paper; they are invitations, whispers that extend beyond the gallery walls. Flyers introduce the world to exhibitions, encapsulating the essence of art in a tangible form. In a digital age, these humble leaflets become bridges between creativity and the audience, forging connections and inviting all to witness the magic within the gallery’s confines.
Creating the branding for Solferino Voices, a YouTube channel dedicated to sharing stories from Red Cross and Red Crescent volunteers, was a purposeful and strategic process. The branding elements – logo, color palette, thumbnails, and the channel name – were thoughtfully designed to reflect the essence of the channel’s mission and connect with its audience.
Within the distinguished setting of the IFRC Auditorium B, a gathering of global minds unfolded on May 25th, 2022, during the “Cholera – WHA Side-event.” This crucial discussion saw the participation of IFRC and WHO senior figures, ministers of Health and Water from DRC, Zambia, Bangladesh, Nigeria, Ethiopia, Kenya, and Haiti, alongside prominent figures such as Tedros and Mike Ryan.
Logotypes, icons, shapes and illustrations, regularly updated. No colour, no context, just the pure shape, this is a stress test for every logo.
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Layout for an art exhibition review, at the gallery Le Labo, Geneva.
We cannot scale down while Ebola escalates, says IFRC
Data visualization can be used to effectively illustrate research on health information (including identifying trends and outliers) and provide an immediate visual impact of important health data.
It is one of the most important publication in the humanitarian landscape. I am proud to have been able to design this extremely important piece of analysis around the complex problem of dealing with major disasters all around the world.
A poster for a designer is like a canvas for a painter. First, the visual impact, the one that will bring the people to read what this poster is all about. Second, the information. Creating emotions in a complex visual context is one of the main missions that a poster has to fulfill.
A gallery of my most performing animation on social
Vidya, contemporary musical ensemble members interviewed during a residency at the Kugler Factory, Geneva
Dr. Donatella Bernardi is a multifaceted artist and educator. She explores themes like power dynamics, gender, and capitalism. She co-founded the Eternal Tour art festival and directed art spaces. She’s led Fine Arts programs and conducted research, resulting in her first artist monograph. Recent work includes a project blending art, psychoanalysis, and criminology.
A visual identity for Geneva’s Usine Kugler, built from the brick of its industrial chimney. Logotypes, a monogram, a bespoke typeface, signage and brand guidelines share a common grid and visual language.
In cartography, technology has continually changed in order to meet the demands of new generations of mapmakers and map users. But he fundamentals are still the same.
